Equality policies in Spain have increasingly developed since the creation of the National Women’s Agency (1983). Over a ten‐year period Spain has achieved European standards in equality policies in terms of institutions, budget and legitimization. In a short time Spain moved from a dictatorship to European Union membership, which has brought about enormous changes regarding women’s roles and rights. Other relevant changes concern the political organization of the state: the 1978 Constitution sets a model of regional administrative autonomy, neither centralized (...) nor federal, in which each region has developed gender institutions. Gender‐equality policies constituted the framework for the development of gay and lesbian policies. Both gender equality and gay and lesbian policies have evolved differently at the national and regional levels, with a trend of inclusiveness, more creative policies and institutions at the regional and local levels. In the meantime, the national debate has concentrated on same‐sex marriage, while sexuality is not a topic within gender equality policies. This paper argues that the progressive inclusiveness of lesbians within the equality agenda and the new intersectional perspectives, alongside gay marriage shows an evolution of Spanish citizenship models, largely influenced by the European Union context. (shrink)

War is a highly gendered experience which is both informed by and informs constructions of masculinity and femininity. The dominant depiction of masculine heroes and feminine victims simplifies the complex intersections of militarism, nationalism and gendered roles and identities. Focusing on a case study of the Anglo-Irish War or War of Independence (1919–1921), this paper examines how violence against women, especially sexual violence, was written about and reported in ways which framed representations of Irish and British masculinity and Irish (...) femininity. In addition, by analysing a range of varied sources including newspapers, autobiographical accounts and recorded testimonies, this paper attempts to assess the extent to which violence against women formed a key aspect of military practice in the war. In conclusion, I engage with some of the difficulties faced by researchers today in exploring evidence of gendered violence in specific historical, cultural and militarized contexts. (shrink)

Media reflect and affect social understandings, beliefs, and values on many topics, including the lives of autistic and disabled people. Media analysis has garnered attention in the field of disability studies, which some scholars and activists consider a promising approach to discussing the experiences of – and for promoting social justice for – autistic people, who remain underrepresented on scripted television. Additionally, existing portrayals often rely on stereotyped representations of disabled individuals as objects of pity, objects of inspiration, or (...) villains. Television may also serve as a primary source of public knowledge about disabled people and the concept of disability. It is therefore essential that such portrayals avoid stigma and stereotyping. We take a disability studies lens to critically analyze and compare representations of diverse people, who may sometimes be conflated in the popular imaginary, across television series about autistic characters, those with cerebral palsy, and a character with fetal alcohol spectrum disorder. We employ an intersectional analytic framework to problematize representations of autistic and disabled people, using television, feminist, and critical disability studies literatures. We analyze how the formal structure of television storytelling can either enable or disable its characters, as well as how portrayals of disability that display a sensitivity to concerns raised by critical disability discourse do not necessarily display the same sensitivity when they intersect with marginalized experiences of gender, sexuality, race, and class. (shrink)

This article takes the linguistic space of North India during the nineteenth and twentieth centuries and tries to see how a nationalistic linguistic ideology that was shaping up at that time, creating Hindi and Urdu linguistic communities, used gender as a tool to portray and assert a masculinist vision of language and nation. It involved not just censoring certain representations of women and their cultural spaces, but also using the issue of ‘vulgar’ representations as a premise to (...) marginalize certain languages and their literature. The article looks at the colonial ideology that worked as an enforcer for the nationalists to work towards achieving what they felt as a sanitized and moral form of literature and culture. The linguistic ideology that accompanied these revisions was of projecting Hindi (Khari Boli) as a national language while limiting spaces of other languages, such as Braj, Urdu and Bhojpuri, in the region, by criticizing either their use of sexual imagery or by stereotyping them in a gendered way. This article investigates the arguments of nationalist writers and highlights their masculinist and patriarchal ideas in their bid for the new national language. (shrink)

The title of this book translates one of the many ways in which Lucretius in De rerum natura names the basic matter from which the world is made. In Lucretius, and in the strain of thought followed in this study, matter is always in motion, always differing from itself, and yet always also made of the same stuff. From the pious Lucy Hutchinson's all but complete translation of the Roman epic poem to Margaret Cavendish's repudiation of atomism, a central concern (...) of this book is how a thoroughgoing materialism can be read alongside other strains in the thought of the early modern period, particularly Christianity. In this light, Milton and Spenser are given close consideration. Although English literature is the book's main concern, it first contemplates relations between Lucretian matter and Pauline flesh by way of Tintoretto's painting The Conversion of St. Paul. Theoretical issues raised in the work of Agamben and Badiou, among others, lead to a chapter that takes up the role that Lucretius has played in theory, from Bergson and Marx to Foucault and Deleuze. This study should be of concern to students of religion and philosophy, gender and sexuality, especially as they impinge on questions of representation. (shrink)

In the last decade, discourse on sexuality has proliferated more than ever in the political realm in Turkey. The discursive utilization of women’s bodies and sexualities has appeared as the main tool to consolidate a conservative gender regime and the heterosexual family with children is promoted as the basic unit to reinforce hegemonic moral values and norms. This article aims to disentangle the intricate patchwork in the Justice and Development Party’s gender politics, which is geared towards ensuring (...) pervasive control of women’s bodies and sexualities. Within this framework, this article investigates the proliferation of the discourse on women’s bodies and sexualities in Turkish politics by delving into the constitutive factors of the JDP’s hegemonic gender politics and examining the narrative lines in recent public debates on women’s sexualities. (shrink)

The constructions of genders and sexualities in different global spaces continue to be influenced by Christian and imperial ideologies. In Africa, genders and sexualities were (mis)construed by colonial and missionary enterprises, and they continue to be defined according to Eurocentric terms and perceptions. This has produced ‘modern sexual repression’. The use of Biblical discourses to construct African genders and sexualities is one way that this repression is mirrored in South Africa. Because of this, African genders and sexualities are marginalised, treated (...) as taboo and depicted as backward and uncivilised, thus, promoting hegemonic heteronormative and monogamous marriages. This article examined how Biblical discourses contributed to this narrative. It further advanced a call for transforming this dominant narrative by engaging theology, gender and sexuality studies and socio-political sciences from the premise of a multidisciplinary epoch. The decolonial motif, with a focus on delinking African genders and sexualities from the Western agenda of sexual repression, serves as the theoretical framework for this research. On the other hand, race, gender and sexuality serve as lenses used to better understand the phenomenon and to explore the use of biblical discourses in this context. Thus, the article makes use of a secondary research approach to carry out this task.Contribution: This article seeks to add to the body of knowledge that endeavours to change the way that biblical discourses are used in South Africa today to construct a narrative that represses non-normative genders and sexualities. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Queer Ricans: Cultures and Sexualities in the DiasporaDavid William Foster (bio)Lawrence La Fountain-Stokes. Queer Ricans: Cultures and Sexualities in the Diaspora. Minneapolis: U of Minnesota P, 2009. xxvii + 242 pp.Is "queer" a particularly relevant denomination for Puerto Rican cultural production because of the deep and abiding contradictions of Puerto Rican society, which swings back and forth between two dominant parties (statehood vs. commonwealth status), but with a (...) firm imaginary in a party that cannot seem to win elections (independence)? Or is it because of the peculiar relationship it has with the U.S. mainland, which hardly prizes its Spanish-speaking heritage and its quality as a nation of people of color? Or is it simply because, as Puerto Ricans profit from the dynamics of queer American society they only seem to exist in greater abundance than in Argentina, Mexico, Colombia, Brazil? Can the influence of American feminism account for the appreciable concentration of Puerto Rican lesbians? Does the possibility of unrestricted residence in the United States. mainland enhance access to a wider array of movement politics, performance spaces, publications venues, and university and other institutional positions than would be possible in Puerto Rico or in any other Latin American society? Finally, does the stateside training of so many outstanding Puerto Rican scholars like Lawrence La Fountain-Stokes simply mean that there is a larger pool of critical voices to register, analyze, and—yes—promote Puerto Rican queers? Certainly, whatever the other reasons, it was the availability of the latter that allowed us to give a particularly prominent representation of Puerto Ricans in the 1994 Latin American Writers on Gay and Lesbian Themes: A Bio-Critical Sourcebook.Let me underscore from the outset that La Fountain-Stokes's point of reference is the extensive representation of Puerto Rican queers in American society, a large majority of whom write in English, work with U.S.-based institutions, and publish in English-language and U.S.-based forums. While some may move back and forth between the mainland and the island and publish in Spanish outside the mainland (in Puerto Rico or elsewhere), the emphasis of his study is on Puerto Rican queers in the U.S. Indeed, as La Fountain-Stokes articulates at the outset of his study, his purpose is to overcome the elision of sexuality in examinations of mainland-island patterns of migration [End Page 66] and to "transform Puerto Rican migration studies paradigms by showing how attitudes toward stigmatized forms of same-sex sexuality and gender variance provoke and affect migration, and how artists, writers, filmmakers, dancers, choreographers, and performers have documented and discussed this fact" (ix).La Fountain-Stokes, who is himself a highly accomplished queer Puerto Rican writer and a scholar with well-established credentials in the field, makes use of a range of three theoretical perspectives in organizing this study: (1) the sociohistorical question of migratory patterns between the U.S. mainland and the island of Puerto Rico, a question that has mostly been cast in political and economic terms, but which the author insists must be revised in terms of an inventory of sexualities and sexual identities that are exercised and performed in terms of the differences between life in one or another locale and, one might add, in terms of the experience of life in the United States in differing locales; (2) the question of theorizing sexuality, particularly the axis/continuum between heterosexual and nonheterosexual and the continuum between different and differing instantiations of the nonheterosexual, but primarily between gay and queer; and (3) theoretical postulates relating to queerness that may or may not intersect and collide with matters of national and/or ethnic identity. The very phrase "queer [Puerto] Ricans" is structurally ambiguous: are we talking about Puerto Ricans who are queer (as opposed to Puerto Ricans who are not queer, a restrictive qualification), or are we talking about all Puerto Ricans, one of whose characteristics is that they are queer, an extensive qualification)? La Fountain-Stokes's inventory of analysis makes clear that the former is the basic emphasis of his research, but the actual performative content of many of the examples of cultural production he... (shrink)

Gender and Sexuality in Critical Animal Studies explores nonhuman animals' experiences of gender, physiological sex, and sexuality while in nature and captivity. Each chapter applies disciplines like literary theory, disability studies, queer studies, ecocriticism, and more to investigate media that shape perceptions and treatment of nonhumans.

The active ‘doing’ of gender and sexuality in and through social interaction has been a topic of academic inquiry for several decades. This study examines the cultural reproduction of that ‘doing’ through the onscreen discourse of the animated television sitcom. A conversation-analytic approach to various excerpts from two popular series reveals the ways in which the situated interactions of these programs make gender and sexuality overtly relevant to viewers through polarization of ‘the norm’ versus deviations from (...) it at the level of talk. In temporarily deviating from their everyday, normative speech practices, characters tap into viewers’ preconceived notions of the behaviors of different gendered and sexual identities in interaction. These non-normative actions are then oriented to as such in the onscreen discourse, thereby making gender, sexuality, and the conduct associated with those identities simultaneously salient for the at-home viewer. It is hypothesized that, while these gender-/sexuality-based associations can be used as a tool through which to offer critiques of the social stereotypes that they parody, they can also serve to re-create those hegemonic divisions at a discursive level through homogenization of the complex range of human identities being represented. (shrink)

This book investigates the Ancient Stoic thinkers’ views on gender and sexuality. A detailed scrutiny of metaphysics, ethics and political philosophy reveals that the Stoic philosophers held an exceptionally equal view of men and women’s rational capacities. In its own time, Stoicism was frequently called ‘ the manly school’ of philosophy, but this volume shows that the Stoics would have also transformed many traditional notions of masculinity. Malin Grahn-Wilder compares the earlier philosophies of Plato and Aristotle to show (...) that the Stoic position often stands out within Ancient philosophy as an exceptionally bold defense of women’s possibilities to achieve the highest form of wisdom and happiness. The work argues that the Stoic metaphysical notion of human being is based on strikingly egalitarian premises, and opens new perspectives to Stoic philosophy on the whole. (shrink)

This article was originally presented as a paper, and since much of what it discusses turns on problems of position, location, self-representation and representativity, I have decided to leave it, as far as is possible, in its original form. Extensive use of the first person pronoun is frowned on in the contexts in which I am used to working, but I have deliberately retained it in this text to try and convey a sense of particularity, of myself speaking in a (...) specific context(s). The use of ‘we’ is a highly politicized act both in anthropology and in feminist contexts. Its use here is intended to convey a sense of audience, that is of myself speaking to others. But, and much more importantly, it also operates as a mark of interrogation, a fictive unity that reveals the lines of fragmentation at the very moment when it claims affinity.1. (shrink)

This article explores the representational practices of feminist theorising around gender and violence. Adapting Liz Kelly’s notion of the continuum of women’s experiences of sexual violence, I argue that ‘continuum thinking’ can offer important interventions which unsettle binaries, recognise grey areas in women’s experiences and avoid ‘othering’ specific communities. Continuum thinking allows us to understand connections whilst nevertheless maintaining distinctions that are important conceptually, politically and legally. However, this is dependent upon recognising the multiplicity of continuums in feminist theorising (...) – as well as in policy contexts – and the different ways in which they operate. A discussion of contemporary theory and policy suggests that this multiplicity is not always recognised, resulting in a flattening of distinctions which can make it difficult to recognise the specifically gendered patterns of violence and experience. I conclude by considering how focusing on men’s behaviour might offer one way of unsettling the contemporary orthodoxy which equates gender-based violence and violence against women. (shrink)

In this paper, I survey Nazi ideals on gender and sexuality and illustrate how these ideals affected both German men and women. I also discuss how Nazi views on gender and sexuality were developed and enforced by the regime. I highlight the general contradictions apparent in Nazi policy on gender and sexuality. Ultimately, the purpose of my paper is to show that the non-Jewish German population was also impacted by Nazi policies.

Leading scholars offer new readings of Degas1 representations of the family, prostitution, city life and leisure in which looking at women is shown to be a complex and ambiguous process. One major topic of the book is the encounter between feminism and art history. Having put images of women1 on the agenda of cultural analysis, feminist interventions in the theory and analysis of representation have created a diverse and intricate field of interpretation which now supersedes that formulation. These essays (...) challenge art history to confront issues of spectatorship, the interface of class and gender, identification and the politics of vision. This illustrated collection is thus a major contribution to debates on representation and sexuality. (shrink)

The Color Purple problematizes tradition-bound origin myths and political discourse in the hope of creating and addressing an Afro-American nation constituted by a rich, complex, and ambiguous culture. But rather than using patriarchal language and logics of power to describe the emergence of a postpatriarchal Afro-American national consciousness, Celie’s narrative radically resituates the subject’s national identity within a mode of aesthetic, not political, representation. These discursive modes are not “naturally” separate, but The Color Purple deliberately fashions such a separation in (...) its attempt to represent a national culture that operates according to “womanist” values rather than patriarchal forms.5 While political language is laden with the historical values and associations of patriarchal power, aesthetic discourse here carries with it a utopian force that comes to be associated with the spirit of everyday life relations among women. 5. Walker, In Search of Our Mothers’ Gardens , p. xi. “Womanist” is a neologism of Walker’s invention. Much more than an idiosyncratic translation of “feminist” into a black/third-world female tradition, the term describes the “woman” in a range of personal and social identities: “Usually referring to outrageous, audacious, courageous or willful behavior. Wanting to know more and in greater depth than is considered ‘good’ for one…. Also: A woman who loves other women, sexually and/or nonsexually…. Sometimes loves individual men, sexually and/or nonsexually…. Traditionally universalist, as in … ‘the colored race is just like a flower garden, with every color flower represented.’ ” In calling the new nationalist epistemology imaged and advocated in The Color Purple an “aesthetic/symbolic” logic, I mean to honor the careful historical and categorical distinctions that operate in the novel and in Walker’s critical work around it. Central to her practice is a delegitimation of traditionally patriarchal-racist political practices, institutions, and language. Lauren Berlant is assistant professor of English at the University of Chicago. She is currently working on Nathaniel Hawthorne’s readings of the cultural/sexual politics of national identity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Courtesans and Tantric Consorts: Sexualities in Buddhist Narrative, Iconograhy, and RitualRita M. GrossCourtesans and Tantric Consorts: Sexualities in Buddhist Narrative, Iconograhy, and Ritual. By Serinity Young. New York and London: Routledge, 2004. 256 pp.This book is a welcome addition to the growing literature on Buddhism and gender. It presents information and explores issues on this topic in new and innovative ways. It is also well researched and (...) well written. Part of Young's innovation is her use of Buddhist art and iconography, which she takes as seriously as textual sources are usually taken in Buddhist studies. Many of her most interesting suggestions and conclusions result from the seriousness with which she takes Buddhist art as resource for understanding Buddhism more accurately and completely. The other foci are clear from her subtitle: narrative and ritual. There is much less attention to the canonical and philosophical texts of Buddhism that are so often invoked in studies of Buddhism and gender.Studies of sexuality or gender often end up primarily discussing new information about women and new ways of understanding women's participation in or exclusion from religion. This study is no exception, which is not in any way to fault the book. Young's analyses center on ways that women have been both included in the Buddhist world and excluded from that world. Among the many varieties of Buddhism, Young primarily focuses on early Indian Buddhism and Tantric Buddhism, which have the most provocative teachings about gender and sexuality. In Young's analyses, we see how women participated in early Buddhism in ways that have not been recognized in most earlier scholarship and ways in which they are excluded from Tantric Buddhism and most later forms of Buddhism that have not always been acknowledged.Young's interpretations of the traditional life stories of the Buddha are extremely innovative and interesting. She argues that the future Buddha's rejection of women when he left his home and family must be balanced with his reintegration into the world of women before and during his enlightenment experience. She argues that this reintegration is evidenced especially in his acceptance of food from Sujata and in the help he received from the Earth Goddess during his trials with Mara. Young argues that many Buddhists throughout the ages have focused on episodes in his life that deal with rejection of women but have not fully taken in the implications of the stories in which women become important allies in the mission of the Buddha.The sources for early Indian Buddhism most invoked by Western scholars of Buddhism are textual. These textual sources present a very mixed picture of women's lot in early Indian Buddhism. On the one hand, the Therigatha and some stories from the life of the Buddha present a relatively optimistic picture of women's possibilities and their acceptance in the early Buddhist community. On the other hand, texts present a constant message of the importance of renunciation, and much of the recommended renunciation involves women. Texts written by and for monks frequently conflate women with sexuality and hold women responsible for wayward monks' sexual temptations. Against this widely known material, Young calls upon the evidence of early Indian Buddhist art to argue that the monks' anti-women texts [End Page 174] do not tell the whole story about women in early Indian Buddhism. The art work, which was much more important for tutoring largely illiterate Buddhist laypeople, consistently portrays women voluptuously and positively. This contrast between text and art is so great that recently, during a slide show in a class I taught on ancient Indian Buddhism, a student asked point blank how monks could possibly sanction the voluptuous portrayals of women common in early Indian Buddhist sanctuaries. I didn't remember Young's cogent analysis at first, but eventually did reply, using her analysis. The monastic establishment controlled the discourse that eventually became the texts of early Buddhism, but the lay donors controlled the visual representations that decorated the sites where Buddhism was preserved. The lay donors were more than happy to represent the fecundity and beauty of women, without whom there would be no future donors or... (shrink)

Motivated by the issues raised by the merging of women and machines in science fiction, this article explores gender representations in Spike film Her that discusses the interaction between a male human and a disembodied female whose consciousness is held in an artificial intelligence (AI) operating system. One of the primary questions regarding the representation of the female AI is whether the film encourages a feminist perspective, that promotes female subjectivity in the era of the post-human, or it (...) ends up perpetuating visions of women’s oppression and objectification. Visual representations are important when discussing gender binaries, as they can be related to the image and the physical sexual differences. However, the role of sound is also crucial, as it contributes to different readings. In my analysis, I examine the merging and unmerging of audio and visual in the film. The female voice is the focal point of the analysis. (shrink)

Performing Difference is a compilation of seventeen essays from some of the leading scholars in history, criticism, film, and theater studies. Each author examines the portrayal of groups and individuals that have been traditionally marginalized or excluded from dominant historical narratives. As a meeting point of several fields of study, this book is organized around three meta-themes: race, gender, and genocide. Included are analyses of films and theatrical productions from the United States, as well as essays on cinema from (...) Southern and Central America, Europe, and the Middle East. Topically, the contributing authors write about the depiction of race, ethnicities, gender and sexual orientation, and genocides. This volume assesses how the performing arts have aided in the social construction of the "other" in differing contexts. Its fundamental premise is that performance is powerful, and its unifying thesis is that the arts remain a major forum for advancing a more nuanced and humane vision of social outcasts, not only in the realm of national imaginations, but in social relations as well."--Jacket. (shrink)

Exploring the idea of knowledge as embodied, engendered and embedded in place and space, gender and sexuality are re-examined through the methodological and conceptual lenses of cartography, fieldwork, resistance, transgression and the divisions between local/global and public/private space. BodySpace brings together some of the best known geographers writing on gender and sexuality today to explore the role of space and place in the performance of gender and sexuality. The book takes a broad perspective on (...) feminism as a theoretical critique, and aims to reassess notions of sexuality, citizenship, work, violence, "race" and disability in their geographical contexts. (shrink)

In this article, I investigate the linguistic practices by which participants in online dating chats become authentic gendered and sexual beings in the virtual world. This process of authentication validates them as members of a specific gender or sexual group, which is a key prerequisite for engaging in the intricacies of online desire and eroticism. Authentication in this context is necessarily a discursive act because of the absence of visual or aural cues, and it takes place through linguistic strategies (...) such as the age/sex/location schema, descriptions of the self, and screen names. The resulting gender and sexual identities are sketches or stereotypes whose value derives from the acceptance of social and cultural discourses on gender and sexuality that are negotiated in the interactions. Authentication, therefore, is not an external process imposed upon people, but the result of specific social practices. (shrink)

Explanations of how identity is constructed are fundamental to contemporary debates in feminism and social theory. In this important addition to the literature, Beverley Skeggs demonstrates that class needs to be featured more prominently in theoretical accounts of gender, identity, and power. Class has been marginalized in feminist and cultural theory and it has become increasingly difficult to teach, research, or speak about class. Formations of Class and Gender identifies the neglect of class issues in favor of (...) class='Hi'>gender issues, and shows how class and gender must be fused together to produce an accurate representation of power relations in modern society. In a sustained examination of the production of knowledge, detailed ethnographic research is used to explain how ôrealö women modify and reformulate our understanding of class, subjectivity, and sexuality. A critical examination of cultural representationùinformed by recent feminist theory and the work of Pierre BourdieuùFormations of Class and Gender is an articulate demonstration of how to translate theory into practice. Engaged with theoretical and methodological issues, this will be the standard referenced ethnography on class and gender. It will be required reading for students and researchers in womenÆs studies and sociology. (shrink)

Social scientists have expended substantial effort to identify group patterns of deviant behavior. Yet beyond the ill-conceived treatment of sexual minorities as inherently deviant, they have rarely considered how gendered sexual identities shape participation in deviance. We argue for the utility of centering theories of gender and sexuality in intersectional deviance research. We demonstrate how this intentional focus on gender and sexuality provides important empirical insights while avoiding past pitfalls of stigmatizing sexual minorities. Drawing on theories (...) of hegemonic masculinity, emphasized femininity, and minority stress together with criminological general strain theory, we demonstrate how societal expectations and constraints generate strains among GSI groups that may lead to distinctly patterned deviance, using the case of prescription drug misuse during sex. We employ thematic analysis of 120 in-depth interviews with people who misuse prescription drugs, stratified by GSI. We identify six themes highlighting distinct pathways from strain to misuse during sex for different GSI groups: intimacy management, achieving sexual freedom, regulating sexual mood, performance confidence, increased sense of control, and managing sexual identity conflict. In this article, we demonstrate the empirical and theoretical importance of centering gender and sexuality in deviance research and provide a roadmap for theoretical integration. (shrink)

Gender, race, and sexuality are not just identities; they are also systems of social organization – i.e., systems of privilege and oppression. This article addresses two main ways privilege and oppression (e.g., racism, misogyny, heteronormativity) are relevant topics in and for philosophical aesthetics: (i) the role of the aesthetic in privilege and oppression, and (ii) the role of philosophical aesthetics, as a discipline and a body of texts, in constructing and naturalizing relations of privilege and oppression (i.e., white (...) heteropatriarchy). The first part addresses how systems of privilege and oppression use the aesthetic. I will discuss various ways race, gender, and sexuality, as both embodied identities and broader social institutions, work with and through “the aesthetic”. The second part addresses racism and (hetero) sexism in the discipline of aesthetics. Both in its history and its present practice aesthetics’apparent neutrality on questions of privilege and oppression is actually evidence of its investment in systems of privilege and oppression. (shrink)

Medical anatomy is one of the key sites of the scientific production, reproduction and maintenance of sex and gender. Our Human Anatomies Project explores the construction, reconstruction and maintenance of difference in genital anatomies, focusing especially on the clitoris. This article focuses on representations of human genitalia in the form of cyberanatomies - video, CD-ROM and internetbased renderings of human bodies. In cyberspace as elsewhere, the biomedical expert remains the proper and dominant mediator between humans and their own (...) bodies, despite the democratization of knowledges supposedly possible through the Internet. Special attention is given to the specific sites of production and distribution of these different cyberanatomies. Through our review of the globalization of cyberanatomies, we have come to witness the very sedimentation of sex/gender/sexuality in new arenas of representations of human bodies. Western biomedical imperialism and globalization of a standardized (American) body are taken up as core theoretical concerns. (shrink)

Focusing on three historical examples of a different understanding of Christian identity, the paper seeks to address the role of contemporary concepts of sex and gender in the creation of Christian identity. In the first case study, focused on the literary representations of the Christian martyrdom from the second and third centuries, special emphasis is placed on the demand for the?manly? or?masculine? way of witnessing faith. The second historical example relates to the creation of a wider ascetic movement (...) in the fourth-century Asia Minor, and its specific focus is on Macrina the Younger. In her Vita, Gregory of Nyssa distinguishes between Macrina?s gender identity based on her virginity on the one hand, and her social role as a widow, and?mother? and?father? of her monastic community on the other. Finally, the focus is shifted towards Dionysius the Areopagite and Maximus the Confessor, whose teachings about ecstasy, as a way to transcend oneself in the movement towards the loved one, provide the basis for establishing a theology of marriage and creating a Christian identity based not on sexual or gender roles, but on the uniqueness of human nature. (shrink)

This paper examines how the new field of neuroethics is responding to the old problem of difference, particularly to those ideas of biological difference emerging from neuroimaging research that purports to further delineate our understanding of sex and/or gender differences in the brain. As the field develops, it is important to ask what is new about neuroethics compared to bioethics in this regard, and whether the concept of difference is being problematized within broader contexts of power and representation. As (...) a feminist science studies scholar trained in the neurosciences, it seems logical to me that, as a growing field, neuroethics should reach out to the rich bodies of scholarship on the history of medicine, feminist theory and feminist bioethics while attempting to approach discussions of sex, gender and sexuality differences in the brain. What is also clear to me is that feminist scholars need to learn how to engage with neuroimaging studies on sex, gender and sexuality not just to critique, but also to productively contribute to neuroscientific research. The field of neuroethics can potentially provide the appropriate forum for this interdisciplinary engagement and create opportunities for shared perplexity. I suggest three possible points of departure for creating this shared perplexity, namely (i) is difference being measured in the study for the purpose of understanding difference in and of itself, or for the purpose of division?; (ii) is there an appreciation for biological complexity?; and (iii) is it assumed that structural differences can be conveniently translated into functional differences? (shrink)

This article interrogates a psychoanalytically inflected strain of anti-social queer theory that in privileging refusal and negation, views as paradigmatic of ‘queerness’ the destructive, annihilative aspects in (queer) sex. In this view, sexuality is a product of the unconscious, thus irreducible to gender, such that gender is irrelevant to (and indeed hinders) understandings of desire. Informed by feminism, which views gender as crucial to any theory on sexuality, I expose that which ‘sexual negation’ masks through (...) this very disavowal – that of gender and the body itself. I argue that subtending the figural representation of queer/ness is a deep-seated, albeit disguised, masculinism that, through negation, works to re-centre and re-virilise (gay) men’s sexual economies. I take up Butler’s lesbian phallus to de-idealise and thus challenge this privileging of the penis operating within this strain of queer – as only phallic sexual economies can, it seems, deliver the very annihilation we (all) seek. (shrink)

This study examines the representations of male and female social actors in selected Iranian EFL (English as a Foreign Language) textbooks. It is grounded in Critical Discourse Analysis and uses van Leeuwen’s Social Actor Network Model to analyze social actor representations in the gendered discourses of compulsory heterosexuality. Findings from the analysis show that the representations endorse the discourse of compulsory heterosexuality which is an institutionalized form of social practice in Iran. Three male and three female students (...) were interviewed to find out what they think about these representations. Their responses with regard to whether they think textbooks should also include representations of other forms of sexuality were non-committal and vague. To them LGBT people are the ‘‘Other’’ practicing a form of sexuality that is not normal. Such exclusions could obscure the reality regarding the existence of such gender identities and represent the world in a particular manner. (shrink)

Muslim migrants are the counter-figures through whom the modern Western identity is shaped. In Islamophobic discourses, they are constructed as inherently sexist and homophobic. In this ideological context, queer migrants coming from Muslim countries occupy an intersectional social location between Islamophobia and homophobia. In this paper we analyze the cinematic representation of queer migrants living in Europe coming from Muslim backgrounds. The aim of the paper is to analyze whether the films reproduce or subvert the Western “gay narrative”. The corpus (...) of analysis is made up of 19 films which were studied through a process of categorization of the relevant fragments in a matrix. The films are classified in three categories according to their approach. The first gathers those films that hold an assimilationist discourse, according to which queer migrants should embrace the Western “gay narrative” and abandon the values of the communities of origin. In the second category, the films propose a hybrid perspective in which characters merge elements from both the country of residence and the cultural background of origin in the exploration of their sexuality and gender. The films in the third category revolve around a metaphorical relationship between a queer migrant and a native person, promoting a reflection on the possibilities of transformative encounters that break the boundaries between supposedly opposed social groups. (shrink)

This article examines and presents examples of contemporary advertising within the medical and health professions that continue the process and organisation of knowledge about women and their reproductive bodies. It draws on feminist and poststructural perspectives to inform a critical evaluation of the visual representations of menopausal women and hormone replacement therapy. These representations work to construct certain definitions of the feminine that sustain and support existing contradictory cultural meanings and values about menopause. I argue that the images (...) continue to misrepresent and define what forms of femininity and sexual gender are desirable and acceptable for menopausal women. The article addresses the problems of gender discrimination and bias within the advertising industry, and illustrates the ways in which readers of visual texts may be influenced by stereotypic assumptions concerning a woman's lived experience of menopause. It illustrates how specific symbolic images directed towards men and women for hormone replacement therapy, testosterone deficiency and sexual dysfunction influence the viewer's decision making and action responses. (shrink)

In this article, I trace the politics of shame in the context of the problematization of women’s bodies as markers of sexual immorality in modern Ireland. I argue that the post-Independence project of national identity formation established women as bearers of virtue and purity and that sexual transgression threatening this new identity came to be severely punished. By hiding women, children, and all those deemed to be dangerous to national self-representations of purity, the Irish state, supported by Catholic moral (...) values and teaching, physically removed its embodied instances of national shame through a system of mass institutionalization. Just as shame entails the covering of one’s blemishes, so the shaming of women deemed to be deviant by church and state involved their covering via incarceration in Magdalen laundries, among other institutions. By assessing recent events highlighted by inquiries into Irish institutions—Magdalen laundries, reformatory and industrial schools, and soon mother and baby homes—in terms of the politics of shame, this article aims to shed light on the pervasiveness of institutionalization in Ireland and the complex relationship between said institutions, gender, sexuality, and nation building in the early decades of the Irish state. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 47, no. 1. © 2021 by Feminist Studies, Inc. 147 Eric Andrew James The Representational Necropolitics of Black Women in Zombie Dystopia Video Games Though Stuart Hall defends popular representation as an important terrain of political struggle, he also argues that images of difference are dominated by “racialized regimes of representation” manifest in stereotypes and invisibilities.1 These ensure that marginal identities are reduced, essentialized, and rendered other. (...) One of the most powerful tools for this form of silencing in the popular representation repertoire is the notion of an established genre. In US popular culture, creators and critics alike often position people who experience multiple layers of oppression as constitutively outside the expectations of existing genres. Their absence is attributable not simply to creator racism but also to that genre’s relationships to intersecting categories of difference and domination, such as race and gender. Beginning with the preponderance of representational violence in popular media, this article draws from existing work by feminists of color in order to model a critique of US representational precarity. To illustrate the political tensions in popular US culture, I stage my intervention into a medium whose industry has had particularly fraught struggles with representation: video gaming. There, I focus specifically on 1. Stuart Hall, “The Spectacle of the Other,” in Discourse Theory and Practice: A Reader, ed. Margaret Wetherell, Stephanie Taylor, and Simeon J. Yates. (London: Sage, 2001), 325–44. 148 Eric Andrew James recent attempts to represent Black women, whom the gaming industry has held up as emblematic of difference and diversity. 2 These attempts are marred by predictable disasters and pitfalls. In particular, I discuss how the representational politics of Black women in popular zombie dystopia games repeats a similar violence as the previous silencing of Black women in these spaces. The gaming industry’s struggles with representation in the wake of Gamergate are demonstrative of broader tensions in Black women’s representation in popular media. Thus, while I am focused on video games, I also intend this analysis to reflect on feminist studies of the relationship between genre and representation. I advance existing scholarship on video game representations of Blackness by theorizing violence enacted at the intersections of race, gender, and sexuality in game genres. Specifically, I position this intervention as a point of departure from TreaAndrea M. Russworm’s chapter in Gaming Representation: “Dystopian Blackness and the Limits of Racial Empathy in The Walking Dead and The Last of Us.”3 This chapter provides a compelling critique of the relationship between the dystopian game genre and Black representation, highlighting the lack of self-reflexivity in mass-market representations of Blackness. Expanding this project by taking another look at her objects of study—The Last of Us (2013– 2014) and Telltale’s The Walking Dead (2012)—I argue that taking Black women’s multiple jeopardy as foundational to the zombie dystopia genre offers a deeper look at the grammars of representational violence. My use of multiple jeopardy refers to Deborah K. King’s theorization of how multiple layers of oppression exponentially multiply individual disadvantages. As King describes, “The modifier ‘multiple’ refers not only to several, simultaneous oppressions but to the multiplicative 2. AnnaMaria Jackson-Phelps, “Representation Matters: Positive Portrayals of Black Women in Video Games,” Medium, February 28, 2017, https:// medium.com/legendary-women/representation-matters-positive-portrayals -of-black-women-in-video-games-c96cf9f66fdf; Jef Rouner, “Would You Believe There Have Been Only 14 Playable Black Women in Gaming?” Houston Press, June 5, 2015, https://www.houstonpress.com/arts/would-you-believethere -have-been-only-14-playable-black-women-in-gaming-7484017. 3. TreaAndrea M. Russworm, “Dystopian Blackness and the Limits of Racial Empathy in The Walking Dead and The Last of Us,” Gaming Representation: Race, Gender, and Sexuality in Video Games, ed. Jennifer Malkowski and TreaAndrea M. Russworm (Bloomington: Indiana University Press, 2017), 109–28. Eric Andrew James 149 relationships among them as well.”4 These layers of oppression are often contradictory and may leave no avenues for action; the expectations placed on one for their race become impossible to fulfill because of the contradictory expectations placed on them for their gender or sexuality. This multiple jeopardy thus introduces... (shrink)

La transcription, la traduction et l’étude du libelle d’un petit procès daté de 1435 extrait d’un registre judiciaire (liber maleficiorum) de Bologne permet de comparer les abus sexuels perpétrés par des hommes à l’encontre des filles et des garçons. Pour exprimer une agression sexuelle sur une petite fille, on emploie les mêmes mots que ceux qui servent à désigner le viol d’une femme. Pour décrire la violence commise sur un garçon, on use du vocabulaire de la sodomie. Ce constat permet (...) de montrer qu’à la fin du Moyen Âge, c’est bien la pénétration qui crée l’acte sexuel et que ce que les textes désignent par “vice sodomite” peut souvent avoir le sens moderne de “pédophilie” vis-à-vis des garçons. (shrink)

In the article we discuss the meaning of the body in its material dimension in relation to its transformation in the current context, which is determined by the multi-layered convergence of biopolitics (Foucault 1978–79), necropolitics (Mbembe 2003), digital psychopolitics (Han 2014), and gore capitalism (Valencia 2010). It is an inquire of the ways in which the contemporary body becomes a form of mass media for certain populations who choose to consent to the mandate of making themselves entrepreneurs of their own (...) bodies within the livestream regime (Valencia 2016, 2018). The author analyzes a variety of representations of femininity taking physical form g-locally in bodies, which—in an effort to comply with capitalist mandates and with binary choreographies of gender and sexuality—become businesses themselves. (shrink)

“It is certainly true, as nominalists have been concerned to acknowledge, that judgements about kinds are determined in part by human interests, projects, and practices. But the possibility that human interests, projects, and practices sometimes develop as they do because the real (physical or social) world is as it is suggests that this sort of dependence is not by itself an argument against essentialism.”.

This paper examines how The Gangster of Love (1996), the second novel by Filipino American artist and writer Jessica Hagedorn, dismantles ready-made assumptions about the construction of minority and mainstream cultures. Spanning the period from the 1970s to the early 1990s, Gangster depicts the life of Rocky Rivera, a Filipina American young artist. As it portrays Rocky's family and friends, the novel examines the drastic re-articulation of the US's self-image brought about by Filipino Americans and other groups marginalized as minorities (...) by virtue of their ethnic, socio–cultural, and/or sexual identities. The narrative challenges dominant notions of who and what makes history, juxtaposing historical references with fictionalizations of real episodes and completely fictional incidents, and making a constant use of parody, irony, jokes and clichés. This paper studies Rocky's reworks of her multiple ethnic and sociocultural allegiances in connection with her passion for music and popular culture, placing these reworks in the context of the Philippines’ colonial and neo–colonial background and multi-cultural US history. It also considers succinctly how Gangster's postcolonial dimensions intersect with a feminist and postmodern consciousness in a gendered strategy of socio–cultural resistance and critique. (shrink)

This article gauges the progress that sociologists of gender and sexuality have made in employing the insights of queer theory by examining four recent monographs that have utilized aspects of queer theory in their empirical work: Rupp and Taylor, Seidman, Bettie, and Schippers. The article uses the insights of queer theory to push the monographs in an even “queerer” theoretical direction. This direction involves taking more seriously the nonnormative alignments of sex, gender, sexuality, resisting the tendency (...) to essentialize identity or conflate it with the broad range of gender and sexual expression and treating the construction of intersectional subjectivities as both performed and performative in nature. The analysis of these texts also insists that a queer sociological theory situate its emphasis on discursive power more firmly in economic, political, and other institutional processes. Ethnographic methods are proposed as the most useful way of combining queer theory with sociological analysis. (shrink)

“It is certainly true, as nominalists have been concerned to acknowledge, that judgements about kinds are determined in part by human interests, projects, and practices. But the possibility that human interests, projects, and practices sometimes develop as they do because the real (physical or social) world is as it is suggests that this sort of dependence is not by itself an argument against essentialism.” -Susan Babbitt (1996, 146).

In this study, we elaborate connections among gender, structure, and practice to suggest how social structural relations shape social sexual practice and, in the process, reshape gender relations. Using survey data from a study of a community mobilization intervention, we investigate the connection between institutional arrangements and condom use practice in sexual encounters with commercial clients and intimate partners among 410 women engaged in sex trade in a semiurban town in southern India. Multinomial logistic regression analysis uncovers the (...) effects of 16 measures of gendered structural relations in three contexts—livelihood resources, household circumstances, and community mobilization intervention priorities. We compare women who practice either consistent or inconsistent condom use with both clients and partners with a reference group of women who practice consistent condom use with clients but not with partners. Results reveal the importance of household and community relations for consistent safer sex practice over and above the organization of sex trade. Our analysis advances gender theory in two interrelated ways: We contribute to gender theorizing in the implementation of health interventions, and to gender change more generally by thinking through possibilities emerging from recursive influences between reordered institutional configurations and altered expectations in interaction. (shrink)

This research investigates the representations of gendered social actors within the subversionary discourse of equal educational opportunities for males and females in Iranian English as a Foreign Language (EFL) books. Using critical discourse analysis (CDA) as the theoretical framework, the authors blend van Leeuwen’s (Texts and practices: Readings in critical discourse analysis, Routledge, London, 2003) ‘Social Actor Network Model’ and Sunderland’s (Gendered discourses, Palgrave Macmillan, Hampshire, 2004) ‘Gendered Discourses Model’ in order to examine the depictions of male and female (...) social actors within this gendered discourse. The gendered discourse of equal opportunities was buttressed by such representations within a tight perspective in proportion to gender ideologies prevailing in Iran. Resorting to CDA, we can claim that resistance against such gendered discourse in Iranian EFL textbooks militates against such gender norms. These representations of male and female social actors in school books are indicative of an all-encompassing education, reinforcing that the discourse of equal opportunities is yet to be realized in the education system of Iran. (shrink)

This article explores the nexus of themes of sexual desire, gender and prayer in the Bemba mythology of creation. Approached from Sarah Coakley’s theology of participation in the divine desire, the article utilizes email technique to collect data from African scholars both women and men with an intention to find out their perspectives on the nexus of the entangled themes above as embodied within the widespread Bemba mythology. The second objective was to understand the ways in which these three (...) themes are intersected in the mythology and demonstrate how the contemporary African Christian search for gender and sexual desire justice might be linked to a gendered prayer. The findings show that gendered prayer could be a place of sexual desire and gender healing and justice for women. (shrink)

To determine whether or not Buffy Sommers represents a successful subversion of femininity, I draw extensively upon seminal works in feminist phenomenology, which describe feminine embodiment as a collection of disciplinary practices that produce a subordinate subject. In sections one and two below, I use these aspects of feminine embodiment to analyze how Buffy the Vampire Slayer both reflects and challenges these norms, concluding that Buffy represents a gender hybrid, one who melds feminine and masculine being-in-the-world. Then, in section (...) three, I examine what this depiction of gender hybridity offers for ordinary young women, that is, those without the mystically endowed powers of the Slayer, through a deconstruction of the episode “Helpless” (3.12). I argue that, instead of presenting a “docile body” inspiring sexual objectification and victimization, Buffy the Vampire Slayer offers viewers a representation of female resilience. (shrink)

Fashion design is a feminized occupation, but there is a widespread perception that gay male designers are advantaged in receiving awards, publicity, and praise. This article develops the notion of a “glass runway” to explain this inequality. First, using design canons and lists of award recipients, I show that men, especially gay men, receive more consecration than women. Second, I show how men and women are consecrated differently by analyzing the content of 157 entries in Voguepedia’s design canon and 96 (...) fashion media articles. Attributions of value and legitimacy construct a gendered image of the ideal fashion designer through discourses of art and culture that reinforce essentialist ideas about gender difference. Because cultural value is ambiguous, processes of valorization are shaped by gender essentialism, pushing male cultural producers down the glass runway and into the spotlight of fame, consecration, and legitimation. Finally, the case of fashion design offers insights into how intersecting inequalities can shape the glass runway. Gay designers experience both valorization and discrimination from intersections of gender and sexuality. (shrink)

This essay proposes a re-reading of the process of establishing the post-colonial nation-state in Algeria, and of the dynamics of citizenship in the light of gender, in order to illuminate the hesitations of the political class as to the meaning of the principle of universal emancipation and sexual equality in the private sphere of personal status. Whereas up to now readings studying the nature of the Algerian political regime and its ideological discourse have been solely concerned with denouncing the (...) "moribund" character of modernism and/or "Algerian-style" socialism, the argument will deal mainly with the private domestic sphere in order to expose ideological references and representations that are decidedly traditionalist, if not archaic, as regards gender relations in the Algerian family, idealized by the legislation underlying the Family Code (1984/2005). Finally a detailed review, based on an analysis by gender, of the minutes of parliamentary debates in the legislatures from 1982 to 1984 will demonstrate the highly patriarchal nature of the cultural representations of Algeria’s decision-makers, who are reluctant to extend "modernization" to the female population. (shrink)

This anthology of contemporary articles (and court cases provides a philosophical analysis of race, sex and gender concepts and issues. Divided into three relatively independent yet thematically linked sections, the anthology first addresses identity issues, then injustices and inequalities, and then specific social and legal issues relevant to race, sex and gender. By exposing readers to both theoretical foundations, opposing views, and "real life" applications, the anthology prepares them to make critically reasoned decisions concerning today's race, gender (...) and sex social issues. Sex and Gender Identity. Sexuality and Sexual Orientation. Race and Ethnicity. Racism. Sexism. Heterosexism and Homophobia. Equality and Preferential Treatment. Discriminatory Harassment. Identity Speech and Political Speech. Sexual Speech. Sexual Assault. For anyone interested in the philosophical underpinnings of today's Race, Sex, and Gender issues. (shrink)